THE COMEBACK KID
by Mary Jo Dilonardo
When she was 14,Gabi Rojas worked up the nerve to dance in front of her entire school. It was a African-themed performance inspired by the exultant moment in “The Lion King” when the lion Simba triumphantly returns to his welcoming pride.
It was a jubilant moment for Rojas, too, who received a standing ovation and rousing cheers. Only two years earlier, the teenager had been diagnosed with juvenile rheumatoid arthritis and had been urged by her doctor to give up dancing.
“She did not believe that dancing could be beneficial for me. She said, ‘You’re going to have to stop dancing,’”, Rojas, now 25, recalls. “I looked at my mom and started crying. I couldn’t stop dancing. Dancing was everything to me. It was my soul.”
Gabi was born into a life of dance. Because her mom was a trapeze acrobat, she grew up in the circus. By 5, she was part of the clown parade doing cartwheels during the gala opening procession. By 7, she had learned stylistic tricks on a static trapeze.
The circus life ended a year later when her mom retired and moved to Albequerque, N. M., to teach dancing, her first love. Rojas, who was home schooled, followed her mother along from class to class watching—and sometimes even participating in—hundreds of dance classes. “I’d sit there and watch all the dancing. I was so inspired by the passion,” she says.
At 12. not long after enrolling in traditional school, Gabi noticed that her right index finger was swollen. Her mom thought that maybe she was pressing too hard on her pencil when she wrote. When her pinky finger also began to swell, they went to their family doctor. After ruling out Lupus, tests came back positive fore Juvenile Rheumatoid Arthritis. “I had no idea what that meant. I just knew that everything hurt,” she says.
Rojas combated pain and swelling that kept her up at night, trying to find comfort in a mound of pillows. She often went to school in a wheelchair. In winter, her mother heated her clothes in the fryer each morning, hoping that the heat would ease the ache. She tried a steady stream of medications including hydroxychloroquine (Plaquenil), rofecoxib (Vioxx) and sulfasalazine (Azulfidine) until finally a combination of prednisone and methotrexate began to help the pain subside.
At 14, she began to dance again, and created her school dance routine. “I was just doing creative movement, listening to music and interpreting it the way I could and however much I could move,” she says. If her movement was limited, her audience never knew. Their applause signaled a change for her.
“That was the beginning of me believing that I could dance again.”
Rojas leapt back into dancing with a controlled fervor, tailoring her motions to fit the movements her body could make. When a new doctor put her on etanercept (Enbral), her pain decreased dramatically. At 17, she returned to dance classes. Although she thought her diagnosis had kidded any dance career dreams, Rojas was able to happily accept a dance scholarship to the University of New Mexico in Albequerque.
After graduating in 2008, she was persuaded by a friend to try out for the popular FOX reality show “So You Think You Can Dance”. Emmy nominated choreographers Tabitha and Napoleon D’Umo wee on the judging panel in New York when she auditioned there. “We were all just standing there in amazement. Her dancing was very jaw dropping,” says Tabitha.
“But it wasn’t just her performance,” adds Napoleon. “She had this remarkable look in her eye right before she started to dance.” The rest of the season, when he was choreographing routines, he used that moment to inspire his dancers. “I’d say, “Do you remember when Gabi gave that look and it was so captivating? That’s the look I need you to give!’”
Rojas didn’t make it through to the actual show, but not long after her auditions, she was accepted into the Cleo Parker Robinson Dance Company in Denver. The company, which tours nationally, performs pieces rooted in strong African and African-American themes.
Now taking etanercept (Enbral), her only outward sign of arthritis is abit of deformity in one of her fingers. For awhile, she had limited range of motion in her hips, but hot yoga classes have helped increase her range of motion. Now, she says, she forgets everything when she dances.
“When I dance I can feel my spirit being lifted,” she says. “When I dance I am reminded about breath because when that point of ultimate exertion arrives I have no choice by to take in more breath and keep going,” she says. “It’s at that moment I remember that my breathing hard isn’t just a moment of recovery, but a beautiful reminder that I’m alive, I’m present, and I’m me.”